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The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It on DVD
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The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It on DVD

Format: DVD | Age Rating: BBFC-15

Stock status: Out Of Stock

Price: £2.99

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Description

The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It is a spoof of several of Judd Apatow's most famous comedy films, namely The 40-Year-Old Virgin, Knocked Up, Forgetting Sarah Marshall and Superbad. The story follows Andy (Bryan Callen), a 41-year old who desperately wants to lose his virginity as do his teenage roommates.  This disjointed comedy spoofs four Judd Apatow efforts: The 40-Year-Old Virgin, Knocked Up, Forgetting Sarah Marshall, and Superbad (Apatow directed two and produced the other two). It gets off to an awkward start when Andy (MadTV's Bryan Callen), a middle-aged comedian, has a nightmare in which his hairy chest horrifies his topless date. The rest of the movie continues along the same vein--more disgusting moments, more underdressed women. As it turns out, Andy's housemates, Michael (Steven Nicholas) and Jonah (Steven Sims, best of the lot), also plan to lose their virginity in the days to come. All three hang out with characters who recall Seth Rogen, Christopher Mintz-Plasse (Superbad's McLovin), the "Can you hear me now?" guy, and a black Benjamin Button, who ages in reverse (and dresses like Samuel L. Jackson). While the teens try to track down booze for a party, Andy meets Kim (Noureen DeWulf), who has to break their date when she gets a job in Hawaii, and Sarah (Mircea Monroe), who loses control of her bodily functions when she drinks too much. Then one of the ladies gets pregnant, and everyone ends up in Maui, where complications, naturally, ensue. Along with the Apatow-inspired situations, co-writer-director Craig Moss (Saving Ryan's Privates) spoofs American Pie, Twilight, Slumdog Millionaire, and There Will Be Blood, but The 41-Year-Old Virgin feels more like a series of sketches than a full-fledged feature, the gross-out humour gets old fast, and Moss squanders all the sweetness of Apatow's best work. --Kathleen C. Fennessy

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